this first installment in the sonic poem series kicks off with all new compositions by td based upon poe’s short work “the island of the fay”. froese & co.’s musical accompaniment is fittingly dark and ambient without losing the melodic sounds td fans love!

after offering-up paratrooper as part of dj tennis recent dj kicks, the israeli duo red axes arrive on life and death for an original ep. sami is a post-moondog shamanic tribal trip, while round combines dilapidated post-goa electronics with just the right amount of cowbells and guitars psych. vego is a lo-if western spaghetti full of tape delays and amplifiers sauce while pulse waves and wind blows on a big russian bell at the title track kalacol. a record that could only come from niv and dori another reconfiguration of the life and death mausoleum.

ultraphat rod remix,with ltd full cover

autarkic makes up part of an unspoken alliance from telaviv, which is currently altering the state of contemporary house and techno music. heavy dreamer, the artists first, four track outing on life and death, showcases much of what this bold movement is about, all while pushing it forward into progress. ever present tones of kraut and punk rock flow throughout the ep, beginning with some things to keep, a pumping, warehouse floor filler. autarkic steps up to the mic, often re-amping and distorting his vocal delivery, placing it alongside finely programmed keyboard riffs, tough drums and further psychedelia. realistic guru, the trippiest of the lot, is tailor made for an early morning dj tennis afterparty excursion. slowing down the pace on powerhouse, autarkic hints at moments of bauhaus and tones on tails doom and dance pop, while offering up a digital only, stripped down, bonus version. the title track stands as a testament to this new wave of artists, coming from the shores of israels mediterranean coastline. bass, drums and guitar are recorded through bespoke boxes and presented through the lens of modernist club culture.

- 2 x 140g 12” vinyl - black gatefold sleeve - gold foil text - download card for wav files - original artwork by megan dixon / ora project innovative future beats duo ivy lab are set to release ‘death don t always taste good’, their debut album proper, t

one of the masterworks of 20th century electronic music, the electric lucifer by bruce haack. originally recorded in 1968 and 1969 (and released in 1970) it is an album both unique in conception and superb in realization. your your gateway to the profound yet playful universe of bruce haack, a -far-out- place where flower-power and inner-space electronics collide!

after the near-death experince of the unn founder, the awaited 002 is finally released, stronger than ever. definitely -what doesn t kill us makes us stronger-.

limited reissue on clear vinyl for rsd 2018.

korablove delivers his second full length album on elusive, and its quite a special one again! directed towards more dreamy, piano-infused, classic cross-genre sound, it grabs you with its cinematic, moody, and truly beautiful melodies and soundscapes, revealing more mature side of this multi-faceted artist

impenetrable and compelling beats from cassius select on the fake death ep, his first offering for hypercolour after stunning releases on herberts accidental and unknown to the unknown. an ep brimming with forward thinking vigor and razor sharp edges across six cuts of mutilated beats and dense auras.

la awanto 3 and meditation tunnel appear on the latest blitz, dj tennis’ ongoing, limited, vinyl-only series. these colourful records sometimes pop-up around life and death showcases, often featuring non-standard cuts + off-kilter attitudes. dekmantel affiliate, awanto 3 offers-up an infectious after-party gem, with “the phone we call it.” slow-burning cosmic keyboards pair with elements of detroit techno and a subtle wink to rdj’s masterstroke, xtal. the flip contains a killer from meditation tunnel, the newly-birthed dance project from the rapture’s luke jenner. la la la is a blitz future-classic. syncopated bass guitar, crusty synthetic strings and the purest of vocal performances - blitz #2 is one to remember.

death in vegas return with the single ‘honey’, its second collaboration with sasha grey. ‘honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity.

the b side features ‘witchdance dub’, richard fearless’ long-held remix of ‘witchdance’ off trans-love energies, featuring the haunting vocals of katie stelmanis from austra. fearless cut three dubplates of ‘witchdance dub’ after he mixed this track. dj harvey has one, prosumer the other, and fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. this track is effortless, minimal dance music imbued with fearless’ unique production sound- it’s not one to miss.
180g vinyl

“lost tracks vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. the duo fused 80’s european new wave/italo disco with 90’s detroit electro acts like le car and dopplereffekt. by utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. their studio set up at the time was a korg ms-20, roland sh-101, tr-606, tr-808, siel dk80, and boss dr-660 drum machine. the songs are direct, spontaneous, seemingly improvised in places. miss kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive french accent. all songs have been transferred from the original dat tapes by the band and remastered for vinyl by george horn at fantasy studios. the vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. each lp includes a postcard with liner notes from miss kittin and the hacker designed by eloise leigh. as miss kittin says of these demos, “we were naive, innocent, adventurous and we didn’t expect anything in return”

the saqqara ep is a multilayered, sonic canvas from the mind of chris barratt, as he launches his new alias, baratt, for life and death. fine brushstrokes move from all areas of his musical hideout, spreading over five, varied, aural sculptures, each one warping and weaving on its own cosmic trajectory. pooling from key aspects of his eagles & butterflies project, barratt induces new musical shades, hinting at moments of disco and funk, through a lens of psychedelia. the title track is a late-night floor-filler - a bold yet uniquely personal necropolis built from riveting delays and arpeggiators. time bending sees dj tennis join in, stepping up with his trademark, rough around the edges production aesthetic, en route to unknown destinations. barratt hones-in on a confident, stripped-down style on khaos - rhythm versus melody just in time for festival season. 1983 soundtracks a ride to utopia on a rocket-fueled vespa, leading to collider, the land of un-quantised madness, where the most treasured of synthesisers live amongst their drum machine counterparts. flowing yet incredibly interconnected, saqqara is best interpreted as a mini artist album - the first of many barratt offerings.

the nyc and berlin based group were invited to aurally explore the archive of the seminal french director jean-luc godard and release their interpretations in an innovative new album what we leave behind. drawing on godards personal collection of shot film, reel- to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.

the first word of the album says it all: bang! on their new album midnight in a moonless dream the buttertones dig deep and discover something dark. where their previous album gravedigging played like the soundtrack of a good spaghetti-western heist movie, midnight moves to the dark cityscapes of 70s new york and tells the story itself - a perfect and intricate crime executed by a crew of professionals under cover of night, a biting sound befitting of cbgb s while staying true to their la roots. there are echoes of suicide and bauhaus, nods to the spirit of sax and violence that powered the deadbeats. midnight is music made for dancers but also for doomed romancers that will appeal to fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, and parquet courts. supported by noisey, i-d and more full european tour around album release, dates are listed below for fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, parquet courts released on innovative leisure, the indie la label behind artists such as allah-las, nick waterhouse, badbadbnotgood, hanni el khatib, bass drum of death and more

music featured and inspired by the hit bet show. pressing on clear 180 gram double vinyl.

sie haben den fans fünf alben in kürzester zeit versprochen und so ist gumboot soup das letzte album aus dieser reihe. es handelt sich bei den 11 neuen songs jedoch keinesfalls um ausschuss, sondern um abermals gelungene, individuell herausragende songs, mit denen die australier düsteren prog-rock genauso bedienen wie psych- und doom-pop. ltd. lp, farbiges vinyl (orange) + dl

rundfunk records presents: “kill gear”, the debut album by the eichler brothers. inspired by european and american cinematic music, “kill gear” honors the many great composers and compositions that characterise a bygone era in the history of cinema. the eichler brothers have re-imagined the late 60’s and early 70’s sound, creating an astonishing motion picture soundtrack that generates imagery which goes beyond an exploitation classic. pressing on black & orange mixed vinyl.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

coming off transmission, death in vegas’s critically acclaimed 6th album which saw the band collaborating with sasha grey, are three unique remixes by silent servant and rudolf klorzeiger.

silent servant delivers two stunning mixes of you disco i freak. in his first remix he elevates the discordant melody in you disco i freak and adds a sense of menace with a new sequence, taking the track in a more sinister direction. with his second version, he takes the heat up a notch with a brutal workout synonymous with his signature abrasive sound.

(1 x solid red 12 in 350 gr colored uv varnish sleeve with black paper-sleeve with download code included) the black heart rebellion wrote an alternative soundtrack to the 2015 ana lily amirpur movie a girl walks home alone at night.

fourth release on nitsa’s label is a very special one. dj fra and shelby grey, two of the residents of the legendary club in barcelona, are joining for the first time ever in the studio. at first sight ’death proof’ looks like a simple dj tool, but is way more than that: while keeping the same elements for a long time, and just using a beautiful pad and a tuba alike heavy bass, it manages to sound completely fresh and classic at the same time.

the 2003 album from stephen malkmus & the jicks back on heavyweight 180 gram vinyl, housed in a gatefold sleeve with download code included.

the crispies sind tino romana (gesang), rob wolfe (gitarre), parsa sarraf (bass) und peter ferdinand (schlagzeug). die band wurde nach schulabschluss 2014 in wolfes keller gegründet, teils aus perspektivlosigkeit, teils aus spaß. so speist sich auch ihr selbstverständnis aus der spannung zwischen langeweile und exzess, zwischen selbstironie und der ernsthaftigkeit von rock n roll klischees in lederjacken und zerrissenen jeans. fragt man die band selbst, so vergleichen sie ihre musik gerne mit analoger fotografie: spontane momentaufnahmen, manchmal schoen, manchmal etwas kaputt. ihr debütalbum death row kids erschien im oktober 2016 auf seayou records. ihr zweites album fake leather erscheint ebenfalls auf seayou records.

drew mcdowall and hiro kones collaborative record the ghost of georges bataille induces a state of suspense via sonic seance. conjuring the sentiment of death as productive force, the artists join their analog paradigms to open a door elsewhere, or perhaps, inside sublimating personal struggles into ritualistic offerings. churning, cinematic, and pulsating with an organic sentience the ghost of georges bataille invites an undeniable presence into the consciousness and lulls both collectors and the newly inducted alike into catharsis with the hairs on their arms standing up. not for the casual listener.

four absurd audio release for one special price:
- dj hektek - some prime time horror shit
- autopsy & dj tugie - signal damage ep
- dj mutante - here we go! ep
- the speed freak - mash of unity ep

2018 reissue/ repress - in yellow coloured vinyl after offering-up paratrooper as part of dj tennis recent dj kicks, the israeli duo red axes arrive on life and death for an original ep. sami is a post-moondog shamanic tribal trip, while round combines dilapidated post-goa electronics with just the right amount of cowbells and guitars psych. vego is a lo-if western spaghetti full of tape delays and amplifiers sauce while pulse waves and wind blows on a big russian bell at the title track kalacol. a record that could only come from niv and dori another reconfiguration of the life and death mausoleum.

erstmals im jahr 1990 erschienen, veröffentlicht earache records das dritte studioalbum von napalm death neu auf vinyl. die engländer machten grindcore salonfähig, wobei sie sich mit »harmony corruption« erstmals stilistisch umorientierten und den beginn der death-metal-Ära ihrer band einläuteten.
aufgenommen wurde das album im morrisound recording studio in tampa, florida. es beinhaltet unter anderem den klassiker »suffer the children«.

uun returns to his imprint ego death with an ep that showcases his progression in both sound design and atmosphere. the a side kicks things off with on the concept of irony, a broken beat assault which serves as a mission statement with its scattered snares and vocal samples. the tangled web continues this mood but with a more intense structure, heavy on hypnotic synths that weave in and out of the tracks percussive framework. where as the a side is the logical extension of the first three ego death releases, the b side serves to showcase a deeper atmosphere while maintaining uuns preference for dense arrangements. the other features a haunting ethereal pad that floats above a broken kick pattern and a bed of clicks, pops, and field recordings. the closing track, absurd existence, forges all the elements of the artist s sound into perhaps his most melodic work to date. it is therefore senseless to think of complaining since nothing foreign has decided what we feel, what we live, or what we are. jean-paul sartre

jungle/breakcore legends deformer are back with another horror infused release: “the living dead deformed”. deformer is known for putting the shock into electronic music and pushing the horror experience to another level. during their shows they cut off limbs and intestines are thrown into the audience while the extreme music turns the crowd into raging freaks. “the living dead deformed” pays hommage to one of the biggest horrorfilm classics of all time: “night of the living dead” (1968) and its creators.
the record was produced before the unfortunate passing of george a. romero. out of respect, deformer chose put out the record as a non-profit, limited edition, numbered by hand, green coloured vinyl release. the amazing cover art is created by legendary visual artist graham humphreys (a nightmare on elm street, the evil dead, poltergeist).
“the living dead deformed” is dark, menacing and will again turn parties into moshpits. they won’t stay deaf!

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

death & leisure is excited to welcome back jerome tcherneyan and barkosina hanusova as the incredible years of denial for a special split 12- with maenad veyl , the brand new project from italian producer thomas feriero. years of denial deliver a heavy synth wave techno classic with -we operate on each other- , and the pounding hypnotic - numeric affairs- maenad veyl starts things off on his side with the broken percussion of -paint the ossuary- , after that we get the slow dragging darkness of -tell me secrets- and lastly -who you could not- with its drilling synths and noise.

erstmals auf vinyl: der soundtrack von lallo gori zum italienischen horror-klassiker -werewolf woman- (original: -la lupa mannara-) von 1976 in der regie von rino di silvestro. limitierte auflage auf grünem 180g vinyl im hochglanz-gatefold.

2007 album by the beastie boys, featuring pure instrumental tracks.

12 slammin beasti boys instrumentals ! their first-ever full album of all-new instrumental material !! u s edition

daniele patucchi’s original motion picture soundtrack for the 1984 italian horror movie “wild beasts” available on vinyl for the first time. limited translucent green 180 gram vinyl in gatefold sleeve with original artwork by luke insect.

pete tong presents ibiza classics - performed by the heritage orchestra, conducted by jules buckley. the biggest ibiza moments like you’ve never heard them before.
double vinyl in gatefold sleeve with download code included.

cpu and dance musics polymath neil landstrumm share a love for classic bleep techno, hence landstrumm has brought to the table four superb reminders of the criminally short lived genre. with spine tingling melodies reminiscent of 808 state s best work, and sub-bass worthy of lfo s bass-bin shaking reputation. a death, a mexican and a mormon perfectly encapsulates not only landstrumms influences but also his deep seated love for bleep. a labour of love which the sheffield based imprint has been only all too happy to encourage and hopes will keep the genre alive for generations to come.

contemporary italo-disco and foggy rave culture mark margots first 12inch on life and death, amore a bordo pista - a welcomed surprise. machines breathe on a1, where throbbing synth-bass meets timeless vocoder, as premiered on dj tennis essential mix debut. the afterparty and warehouse meld on the flip, a mind-bending time-warp - somewhere between panic and introspection. technicolour signee, dauwd, aces his re-depicton of the title track, hinting at golden-era chain reaction, while kiwi slows down salsce, retaining all of its drive, adding further cosmic brushstrokes. four weapons of the mind, a trippy affair.

lauer, panthera krause, legowelt, davis & zoplear, roy of the ravers remixes!!!

sebastian eduardo burst onto the scene in 2016 with a fine debut ep entitled ultima necat, now comes his second ep, this time released in the untold stories protagonist series. dedicated to the legendary poet hanshan, the ep is a deep and personal offering, it keeps to the style which made his debut so appreciated: positively charged, quirky and enlivening micro house, but this time there s a deeper personal dimension to the tracks, a nice development and another welcome offering from the young swiss producer.

seven years into its celebrated journey, life and death assembles its third and most adventurous compilation to date - displaced soundtracks. for the first instalment in a new series, dj tennis has given free rein to some of his most trusted contemporaries, enabling many of todays most respected dance music producers to display their hidden talents as composers. gathering music from a long-aborted film, the collection stands as another bastion of life and deaths perpetual evolution. duncan gray embraces dissonance, black merlin, appleblim and artefakt go interstellar and fango channels post-punk squat music. hades rocket showcases the expertly-sequenced synth work that has graced simian mobile discos illustrious career, while redshape revisits all the right sides of 80s wave and library music. danny daze and synth-savant kink embrace non-standard tempi with great success, while axel boman delivers sitar-laced gospelhouse without a bass drum. elsewhere, your favourite producers favourite producer, stimming, teams up with pianist lambert and the pair learn to fly. inspired and challenging, life and death ventures into their eighth year confidently, constantly evolving without compromise.

amongst hip-hop fans, boogie down productions first two albums criminal minded (1987) and by all means necessary (1988) both loom very large. and for good reason: they both captured one of the late 1980s most important and influential crews at their highest powers of lyricism and musical invention. that being said, too many people sleep on bdps third lp, ghetto music. released in 1989, when the hip-hop world was truly beginning to explode and reach new heights of sales and exposure around the world, the album is arguably as powerful as the groups first two. as on by all means necessary, in the wake of the tragic death of original founder, producer and dj scott larock, krs-one pushed along mightily on the production side, with help from his extended crew. musically the sound created on albums 2 & 3 was funky, catchy, and continually innovative, giving him the perfect backdrop to build his edutainment syllabus. lyrically there was never a question about krsã power, and on ghetto music he continues to impress, teach and ask important questions. clear cases in point are two of the albumãs singles, you must learn and why is that? but he gets even deeper on lesser-jocked tracks like the anti-police thought-piece who protects us from you (still sadly relevant in 2017), ghetto music and world peace. still as strong and entertaining today as it was almost three decades ago, this new reissue is a perfect way for younger fans to embrace one of the most underrated hip-hop platters of the era.

throbbing gristle gelten heute zu recht als die wichtigsten vertreter der klassischen industrial music. die band ging aus der aktionskunstgruppe coum transmissions (ct) hervor, die etwa ende 1969 von cosey fanni tutti und genesis breyer p-orridge gegründet wurde. 1974 stieß der im jahr 2010 verstorbene designer und techniker peter sleazy christopherson zu ihnen, im jahr darauf chris carter. zum 40. jahrestag seiner erstveröffentlichung wird am 03.11.2017 -the second annual report- als limitierte edition auf weißem vinyl im original packaging inklusive downloadcode erneut veröffentlicht werden.

special limited series on life and death with limited presale time = blitz releasedate. tracklist a1 joakim - baobab , b1 kiwi - is it balearic?

henrique oliveira aka hnqo, is the man responsible for this exciting full album release on doc records.